Ebook Download Elly Sienkiewicz's Beloved Baltimore Album Quilts: 25 Blocks, 12 Quilts, Embellishment Techniques, by Elly Sienkiewicz

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Elly Sienkiewicz's Beloved Baltimore Album Quilts: 25 Blocks, 12 Quilts, Embellishment Techniques, by Elly Sienkiewicz

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Review

It is always exciting news in the applique world when Elly Sienkiewicz comes out with a new book. In Elly Sienkiuewicz's Beloved Baltimore Album Quilts we find 25 blocks, 12 quilts for inspiration and numerous embellishment techniques. Album quilts are perhaps the most glorious of all applique quilts. The blocks are often done by many different stitchers and contain symbols that are representative of our culture, both past and present. All the patterns in the book are from the Happiness is in the Journey quilt, one of the quilts from the Houston Special Exhibit. They are sized at 8x8 finished. There is an enlargement chart for those of you who would like to work in a larger size format. You will find wonderful photos and illustrations for various applique techniques from beginning basics to such techniques as weaving fabric for baskets and creating dimensional flowers. Art materials covered include: threads, fabric manipulation, beads and acrylic paints and inks. I also liked the instruction on creating a dog tooth border. The quilts at the 2010 Houston Special Exhibit started from a grain of an idea Elly had in the middle of the night. Over the course of 3 years (2007-2010), 245 volunteers from 36 states and 5 countries created 12 Baltimore Album quilts. The twelve quilts plus an additional 28 quilts from around the world made up the 2010 Houston Special Exhibit. The block makers names are listed along with a map of the quilt to help the reader locate the specific block in the photo of the quilt. I am sure there are names you will recognize. This is a MUST have book for your applique book library, and will be a great resource for both the beginner and the more experienced artist.

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Product details

Paperback: 128 pages

Publisher: C&T Publishing (November 16, 2010)

Language: English

ISBN-10: 1571208488

ISBN-13: 978-1571208484

Product Dimensions:

8.6 x 0.4 x 11.1 inches

Shipping Weight: 1.2 pounds

Average Customer Review:

4.8 out of 5 stars

48 customer reviews

Amazon Best Sellers Rank:

#368,182 in Books (See Top 100 in Books)

Where do I even start? This book is wonderful just to look at. The quilts, blocks, and fabrics, just beautiful! It is so comprehensive. The wealth of knowledge Elly has compiled into this 127 page book is unbelievable. There are so many great techniques including painting techniques, embroidery, silhouette portraits, stencil shading, beading, calligraphy, and on. OMG!There are 25 block patterns to make a 68"X68" gorgeous quilt called "Happiness Is in the Journey". Each block pattern includes the Symbolism of the block and Pattern Notes that include page numbers to needed techniques earlier in the book.This book is a treasure. Elly's knowledge of everything Baltimore Album is immense and we are very fortunate to have her in Quilt World.

After looking at the blocks and quilts featured in this book, I decided that the Baltimore style is generally too ornate for my taste. However, the book includes lots of great tips for creating fine hand applique, including how to deal with trouble spots like sharp inside corners. There is an entire chapter with many interesting embellishments. So I will use the information in this book on the quilt I decided to make even though it won't be a Baltimore. I also enjoyed the history and seeing how the blocks made by so many different hands came together into lovely, cohesive quilts.

This book is amazing. I have been looking for a book on Baltimore blocks for years. This one not only contains an excellent variety of blocks but also very good directions on how to do the more intricate bits of stitching and turning. Not for the beginner but for someone who has done at least some appliqué stitching. Reading the book and looking at some of the amazing examples it really gives you inspiration to take flight and make each block how you want it to look, not how someone else dictates. Highly recommend and worth every cent!

These applique designs are absolutely gorgeous. The instructions are well written and easy to understand. I am starting my first Baltimore Album quilt with them.

I wanted a more basic book. Many of the patterns in this one have techniques that are more advanced, and while they are well explained and I could do them, I was more interested in less "exotic" applique. The rating is more about my wants than the quality of the book, which is very good.

The designs are great and the instructions are very clear. Simple techniques are given to transfer the patterns to cloth to begin each block. It takes the quilter step by step to create a beautiful block and if you wish a quilt of these.

Beaultful colored photos of quilts. This book gives you the basics of appliquie then goes on to show the art and embellishments that made this quilts so beautiful. Along with the many classic patterns the author also tells the history and the symbolism that made these quilts so unique. Another great book by Elly Sienkiewicz.

Easy to follow directions and photos for all levels. Beautiful photos of many Baltimore Album quilts.

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Elly Sienkiewicz's Beloved Baltimore Album Quilts: 25 Blocks, 12 Quilts, Embellishment Techniques, by Elly Sienkiewicz PDF

Elly Sienkiewicz's Beloved Baltimore Album Quilts: 25 Blocks, 12 Quilts, Embellishment Techniques, by Elly Sienkiewicz PDF

Elly Sienkiewicz's Beloved Baltimore Album Quilts: 25 Blocks, 12 Quilts, Embellishment Techniques, by Elly Sienkiewicz PDF

Ebook History Pockets: Ancient Civilizations, Grades 1-3, by Evan Moor

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History Pockets: Ancient Civilizations, Grades 1-3, by Evan Moor

Ebook History Pockets: Ancient Civilizations, Grades 1-3, by Evan Moor

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Product details

Age Range: 6 and up

Grade Level: 1 - 2

Paperback: 96 pages

Publisher: Evan Moor Educational Publishers; Teacher ed. edition (January 1, 2003)

Language: English

ISBN-10: 9781557999009

ISBN-13: 978-1557999009

ASIN: 1557999007

Product Dimensions:

8.2 x 0.2 x 10.5 inches

Shipping Weight: 9.9 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

71 customer reviews

Amazon Best Sellers Rank:

#51,315 in Books (See Top 100 in Books)

I bought this because I thought it would provide some fun activities to go along with our Story of the World curriculum. I wanted to give the History Pocket series a chance so I would know in the future what, if anything, we would be missing (homeschool FOMO if you will). I usually like Evan Moor products as supplements to our main curriculums or for vacation/morning work. While the information is good, the activities seem a bit on the busy-work side and require pretty low level thinking. Alot of coloring and cutting, crafty-type projects. If you are using a solid history curriculum such as Story of the World, narration, discussions, Waldorf/CM type map work and a few additional readings, activities and field trips will suffice. No need for this type of busy work - in my opinion, it makes learning inefficient and shallow.

I see I’m in the minority when I say I hate this book! Loathe it. Every time I get it out for lessons it makes me ragey so today I ditched it. It’s busywork with very little educational value. We learn more from reading and studying maps and watching documentaries. I think what made it most frustrating is that you have to constantly reference other pages to know what to do, and to copy it I had to take the pages out so I have clumps of paper clipped pages falling out every which way. Bravo Zulu to you if you have the patience and attention span to implement this in your homeschool or classroom. It was an epic fail for us.

To supplement our history lessons, I included History Pockets: Ancient Civilizations, Grades 1-3 as part of our social studies lessons. The activity book covers history, Ancient Mesopotamia, Ancient Egypt, Ancient Greece, Ancient Rome, Ancient China, and the Ancient Aztec World. Each section contains a reproducible pocket label, four picture dictionary words, a fact sheet of background information for the teacher, a reproducible student information booklet complete with illustrations, a postcard of a famous monument, two puppets to show the clothing, arts and crafts projects, and writing activities. My daughter and I completed each section over one or two days with a culminating portfolio to show her study of ancient civilizations.

Sure, you could probably dig through Pintrest for most of these sorts of activities, but I think the convenience of the book makes the price wholly reasonable. As secular homeschoolers following Well Trained mind, I decided to just use the encyclopedias and other books to teach ancient history for 1st grade. Mostly, we were reading whatever caught his fancy at bedtime from the encyclopedias. I was noticing that there wasnt much order and I thought adding these simple hands on bits would tie together all that we have talked about this year. As a first grader, I am reading and pointing out the definitions for my son. He seems to really enjoy 20 or 30 minutes of this light work to break up the harder work of reading lessons and math lessons. Its a bit annoying for a homeschool mom of 1 that the whole book is printed duplex which necessitated a trip to the library to make copies of the pages I needed to have a blank back but it wasnt a deal breaker. For these early years, history is about exposure and exploration. This material helps do that. We also added little things like trying to write cuniform in Plah Doh, building a ziggarat out of Magformers, and a few videos from YouTube. Along with the pride of making his very own history book, my son seems to.recall the concepts better for later after doing these activities. He has ADHD, so the multi sensory activities really help. He can color while I read. He is especially proud of the puppets!! If youre too busy to build all the multisensory options from scartch or dont want to cobble them together from Pinterest, you will probably enjoy this workbook. Just know youre going to need to make some copies.

I used these pockets to support the Ancient year my family enjoyed as an annual theme in their earlier home education. The theme took in every kind of learning, and these added something special, but I mainly relied on Story of the World, Volume 1: Ancient Times Audiobook CD: From the Earliest Nomads to the Late Roman Empire, Revised Edition (7 CDs). Fortunately they fit beautifully together. The Story of the World title gives a lot more information than the pockets, including stories from each culture, and if you get the Audio CD version, your children can play the tracks to their hearts' content. The matching Story of the World activity book was also a great help to create some active/hands-on/role play learning. These three titles together work really well but don't supply any of the science, so to flesh it out I used Ancient Science: 40 Time-Traveling, World-Exploring, History-Making Activities for Kids, which is also arranged civilization by civilization, so the experiments are super easy to fit in at the right point. The set of science experiments are couched in historical background, are well explained from both the scientific point of view and from the point of view of what each civilization discovered, and most importantly they really work!So the pockets by themselves are not going to teach the history, but my children LOVED the pocket activities which had them make things that they can handle, that will remind them of what we covered in other ways. I'd also like to recommend Ancient World (World History Series) for your independent readers. It is also arranged by different major civilizations, but adds in some other peoples, e.g. The Celts, and includes spreads on key figures, like Alexander the Great. My 8yo and I both fell in love with this book. My daughter asked me to buy it for her as her very own copy, and she can remember tonnes of the details because the book is so inspiring.Using these five titles together has created the best learning experience we've ever had in our home educating. Oh - I also read some ancient stories (folklore and fairy tales would fit here) as evening read-alouds before bedtime.And the next year was Medieval Year, using the same approach. That was our second best year.

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Ebook Wendy and the Lost Boys: The Uncommon Life of Wendy Wasserstein, by Julie Salamon

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Wendy and the Lost Boys: The Uncommon Life of Wendy Wasserstein, by Julie Salamon

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Review

“[Salamon’s] fresh reporting . . . gives the book a live, romping air, very much keeping with its subject . . . Wendy and the Lost Boys reads more like a novel than a biography.”  — THE NEW YORK TIMES“Excellent…Salamon’s voice is like that of a Wasserstein character, a late-night girlfriend who tells you the truth, but confidentially, and sideways.” — THE NEW YORKER“Top-notch…a penetrating biography. The book, less a literary reckoning with Wasserstein’s legacy than a frank character study, is superbly paced. [T]he work unfolds with an alacrity that had me fearing the end not just because it was such a tartly compelling read but because it's still so hard to accept a theatrical world without Wasserstein around to make it seem so much more magical.”  — THE LOS ANGELES TIMES“Intriguing” — PEOPLE Magazine“Engaging new biography” — THE ECONOMIST“Julie Salamon is a helluva journalist and her Wendy and the Lost Boys: The Uncommon Life of Wendy Wasserstein is a helluva story.” — NEW YORK DAILY NEWS“Perceptive and empathetic, but also gently unsparing—a superbly nuanced portrait”       — KIRKUS (starred review)

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About the Author

Julie Salamon is the author of Hospital, about Maimonides Hospital, as well as The New York Times bestseller The Christmas Tree; the true-crime book Facing the Wind; the novel White Lies; the film classic The Devil’s Candy; a family memoir, The Net of Dreams; and Rambam’s Ladder. Previously a reporter and critic with The Wall Street Journal, she has also written for The New York Times, The New Yorker, Vanity Fair, Vogue, and The New Republic.

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Product details

Paperback: 480 pages

Publisher: Penguin Books; Reprint edition (July 31, 2012)

Language: English

ISBN-10: 0143121391

ISBN-13: 978-0143121398

Product Dimensions:

5.5 x 1.1 x 8.4 inches

Shipping Weight: 13.4 ounces (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

65 customer reviews

Amazon Best Sellers Rank:

#1,023,313 in Books (See Top 100 in Books)

But ok, who isn't complicated? It was a thoroughly researched work about a time and place I remember fondly; my college years at NYU when Chris Durang, Andre and Wendy were the stars of the New York theater world. I never knew her and it was fascinating to find out about a person who at times I adored and at times I found cold and manipulative - as I am sure she herself was manipulated. We want to think of idols as perfect. This is not that kind of book. It's an honest look behind the curtain and for that it deserves a read. That is not to say it shines an unflattering light on her - it merely tells the truth about what it was like to be her, as much as a book can.My one issue is the title - a reference to Peter Pan that, while seemingly clever, was not worth misleading the reader and does no justice to its subject. This book is about Wendy and her life and yes there are men in it, and women and children who all play important roles. It seems strange to me to give short shrift to the whole of her by titling it something indicating an ensemble piece. It is not. It is simply the uncommon life of Wendy Wasserstein. I hope she knew what it was like to be truly loved and more important what it was like to truly and selflessly love back.

Wendy Wasserstein and Julie Salamon are a match made in bio heaven. I loved this book for its knowing grasp of how Wendy Wasserstein, her work and her life, became a mirror for so many boomer concerns--especially for we women of a certain age who found ourselves caught between the demands of our families and our personal ambitions and struggled mightily to define ourselves. I loved it for showing exactly how an artist's life, good and bad, creates her. You needn't be a fan of WW's work to appreciate how that life--her crazy family, her vulnerability about her appearance, her pleasures in and doubts about her innate talent, her capacity for and need of complicated friendships as a replacement for family, the secrets she kept, the steely ambition beneath the girlish giggle--informed her work. I loved Salamon's insight into Wendy's fierce love for and competition with her powerful brother Bruce. As a transplanted New Yorker and a (Jewish, female) writer myself, I loved the gossip element of this book--the glimpses of all those boldfaced names that peopled Wendy's world during these tumultuous decades. I loved the way Salamon gives us a close-up view of how artists who happen to come up through the ranks at a particular moment in time (Ivy League, East Coast division in this case) create and define a cultural moment. Any woman who has wished her gay best friend could also be her mate will identify with Wendy's difficulties finding a life partner. Salamon's account of WW's desire for a child, accomplished in a third act cut way too short, is particularly moving. I didn't know Wendy Wasserstein though I might have, brushing up as I did against the worlds she walked through. But I hated finishing this book. I felt as if I'd lost a friend. Bravo.

Julie Salamon's new biography of Wendy Wasserstein is a critical look at both Wasserstein's life and work. It is very well-written - as all books by Salamon are - but the woman who emerges on Salamon's pages still seems like an enigma. I'm not sure I "knew" Wendy Wasserstein any better after reading the book than before I read it. And that's not Salamon's fault; I think Wendy Wasserstein was so many things - each different to every person in her life - that I'm not sure there was full person there. That's not a criticism of Wasserstein, either, but rather a frank appraisal of the family she came from and the world she functioned in. Sometimes, she seemed to me to "observe" society through her writing rather than participating in it.Born into an upwardly mobile Jewish family, Wendy was surrounded by the secrets many families hold. "Polite people" didn't discuss the fractures that death and divorce and mental illness often bring to a family. There were many secrets in her family, most she didn't know til she reached adulthood. Hers was a family where the children excelled in both school and business. Her brother Bruce and her sister Sandra were both business successes, while Wendy - the youngest - found herself adrift in the 1960's college life at Mt Holyoke and the years after. She was the "creative" Wasserstein, and, in her own way, found herself as famous as brother Bruce. She wrote timely plays about the women in her world, both at a macro-level about the women of her generation and at a micro-level about the women in her immediate family.But if Wendy Wasserstein found respect and friendship through her writing, she also seemed not to have a lot of personal self-confidence. Not the sleek, beautiful "golden girl" she thought she saw around her, her relationship with men tended to be with gay men. Are they the "Lost Boys" of the title? Perhaps so but most of them were loyal and loving to Wendy, but disappointing her in the end by not being totally available to her. Wendy dearly wanted a child and tried throughout her 40's to conceive. A final, last-ditch effort resulted in her only pregnancy when she was 48. Her lovely daughter, Lucy Jane, was loved by Wendy. Unfortunately, Wendy's early death when Lucy Jane was 6 years old, deprived her of her mother (Lucy Jane's father was never identified). She went to live with her uncle Bruce and his family, but Bruce died a few years later.Julie Salamon's writing is excellent. Two of her best books are "Net of Dreams", a book about her parents' experiences during the Holocaust and eventual settling in the United States and "The Devil's Candy", flat-out the best book about movie making I've ever read. I wish I liked this book a little better; I'd have given it five stars instead of four.

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Get Free Ebook Brand Luther: How an Unheralded Monk Turned His Small Town into a Center of Publishing, Made Himself the Most Famous Man in Europe--and Started the Protestant Reformation

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Review

“A perceptive study of Luther’s ideas and the rise of a new print culture in Europe…. some regard [Luther] as the man who opened the floodgates of modernity, as a very modern man…. Mr. Pettegree does not attempt an explicit comparison, but the name that comes to mind is Steve Jobs, a person who transformed an industry and created his own brand in doing so.” —The Wall Street Journal“Insightful and fresh….an important story told with careful scholarship and elegant writing.”— National Catholic Reporter“There is very little serious academic work that explicitly explores the role of printing in the rise of Protestantism. Brand Luther fills that gap. It is an insightful and highly scholarly book but it’s very readable at the same time. It is a well-researched book that provides deep analysis of the rise of Protestantism. It should be on university curriculums for history. It is a must-read for everyone interested in the history of Europe and religion. Pettegree’s scholarship is unmatched in its insight, scholarly value, and authority.”—The Washington Book Review “A remarkable story, thoroughly researched and clearly told, and one sure to change the way we think about the early Reformation.”—Washington Post “Pettegree expertly guides us through Luther's years and achievements…. Most of all, though, Pettegree deserves credit for his fresh slant on the Reformation and his dynamic storytelling….And as this absorbing and illuminating book capably shows, after Luther, print and public communication—and indeed, religion—would never be the same again.”—Weekly Standard “Pettegree…shines light on an overlooked talent of [the Reformation’s] main progenitor…Brand Luther shows how Wittenberg’s most famous son took keen interest not only in the content of his books, but also in how they were manufactured, designed, and marketed.”—Christianity Today “Pettegree admirably presents Luther, warts and all. But in the final analysis, he asks whether printing created Luther and the Protestant Reformation or Luther created mass media through his shrewd manipulation and adaptation of the printing industry to his specific needs. This book argues both—it’s hard to separate one from the other since the rising success of printing as well as Protestantism seemed to go hand in hand. Well researched and well written, this essential book is for anyone remotely interested in Luther or early modern technology.” –Library Journal"Well researched and well written, this essential book is for anyone remotely interested in Luther or early modern technology."—Sandra Collins, Byzantine Catholic Seminary Lib., Pittsburgh“A cogent and authoritative overview of Martin Luther (1483-1546) and of the burgeoning printing industry that disseminated his ideas….An informative history of a man of ‘adamantine strengths and…very human weaknesses’ who incited a theological revolution.”- Kirkus “Authoritative and beautifully written, Pettegree’s book provides a radical take on a revolutionary figure.”- Bruce Gordon, Yale Divinity School, author of Calvin“Andrew Pettegree draws on a lifetime’s scholarly engagement with the history of the book to offer us a fresh way of looking at Luther and his times. Of all the many new books which will commemorate the momentous events of 1517, this will be one of the most original: not just a biography of Martin Luther, but a study which uses the printing industry as a lens through which to view his extraordinary achievement as writer and inspiration of the movement which reshaped European religion.”-Diarmaid MacCulloch, author of The Reformation: A History and Christianity: The First Three Thousand Years“This perceptive and engaging analysis of the German Reformation highlights the fruitful interweaving of Martin Luther’s skills as a preacher, writer, and publicist and the burgeoning printing industry. Pettegree’s lucid and persuasive account offers unparalleled insight into this outstanding early modern example of effective use of communication techniques that allowed Luther’s message to take hold.”-Karin Maag, Professor of History and Director, H. Henry Meeter Center for Calvin Studies, Calvin College and English editor and translator of The Reformation and the Book  “Andrew Pettegree brings his expert knowledge of the sixteenth-century book business to bear on the old crux of ‘printing and the Reformation.’ Many images of Luther will appear in the next few years, and this one is particularly intriguing. Pettegree’s Luther understood the importance of the new medium and the new format in which his message was expressed. He was not an artless voice declaiming against the whirlwind, as he sometimes portrayed himself. Rather he was an astute publicist for a message that he firmly believed was much greater than himself.”-Euan Cameron, Union Theological Seminary; author of The European Reformation  “Brand Luther is an important recasting of the history of Martin Luther and the rise of the German Reformation. Without reducing the role of religious ideas or the power of personal faith, Andrew Pettegree demonstrates how Luther was able to harness and exploit the emerging power of print in order to broadcast his message of religious reform and ultimately bring about a transformation of European Christianity. Pettegree tells both sides of the story with equal vigour and understanding, moving between Luther the reformer, the relentless weaver of words, and the emerging forms of early modern media. The result is a book that does not just commemorate the Reformation but helps us to view its history in a completely different way.”-C. Scott Dixon, author of Protestants: A History from Wittenberg to Pennsylvania  “Brand Luther tells two tales. The first is an engaging biography of the German reformer Martin Luther. The second is a stimulating account of the first time the printing press helped shape a mass movement. Andrew Pettegree deftly combines these two stories to show how an abstract academic dispute grew into the Reformation that divided western Christendom. This is history-writing at its best!”-Dr. Amy Nelson Burnett, Paula and D.B. Varner Professor of History, University of Nebraska-Lincoln “Andrew Pettegree’s Brand Luther brings new excitement and insight to the persistent question of why Martin Luther’s calls for reform revolutionized western Christianity when earlier critiques had not.  Drawing on his deep knowledge of the Protestant Reformation and the early modern printing industry, Pettegree has crafted a compelling narrative that conveys the excitement, chaos, and uncertainty of the first decades of the Protestant Reformation.  In Pettegree’s incisive telling, the Reformation is just as crucially a “commercial revolution” as a theological one.  He presents Luther as an innovative, forward-thinking mover of the print industry whose mastery of the new medium of print transformed both Christianity and the business of printing.  Pettegree places the interactions among Luther, the emerging print industry, and the economic development of the city of Wittenberg at the center of the Reformation drama, returning a sense of suspense to a well-known story and emphasizing the fact that Luther’s success and long-lasting influence was never a foregone conclusion.”-Karen E. Spierling, editor, Calvin and the Book: The Evolution of the Printed Word in Reformed ProtestantismFrom the Hardcover edition.

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About the Author

Andrew Pettegree is Professor of Modern History at the University of St Andrews, where he was the founding director of the St. Andrews Reformation Studies Institute. He is the author of a number of books on the Reformation and the history of communication, including Reformation and the Culture of Persuasion, The Book in the Renaissance, which was a New York Times Notable Book of 2010, and The Invention of News. In 2015 The Invention of News won the Goldsmith Prize of the John F. Kennedy School of Government at Harvard University. He lives in Fife, Scotland.From the Hardcover edition.

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Product details

Paperback: 400 pages

Publisher: Penguin Books; Reprint edition (October 25, 2016)

Language: English

ISBN-10: 9780399563232

ISBN-13: 978-0399563232

ASIN: 0399563237

Product Dimensions:

5.4 x 0.8 x 8.4 inches

Shipping Weight: 12.6 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

47 customer reviews

Amazon Best Sellers Rank:

#467,116 in Books (See Top 100 in Books)

This is a carefully sculpted and lucid biography of Martin Luther poised against the background the printing press and books in Germany circa 1500. Luther, a bright intellectual and young Augustinian monk posted his thesis against indulgences and their abuse on the cathedral door at Wittenberg. It helped to churn an already current of criticism toward Rome, tapped into the rise of political power by the Princes in Germany and eventually unleashed a schism of doctrinal divisiveness that became known as the Protestant Reformation. Luther was a master of media manipulation through the printing press with the knowledge that the “oxygen of publicity was a matter of life and death.” He also paid attention to the education of girls, raising the level of literacy where his church took hold. His use of German rather than Latin reached out to the ordinary people of the land. Throughout the book there are illustrations of the fine woodcuts that helped popularize his writings. Luther read the political scene very well and was skilled at energizing market forces in his behalf. As one who participates in ecumenical dialogue, I found the book very helpful in gaining a clearer picture of Luther with human qualities rather than a rigid dogmatic figure of History. Pettegree’s book is a timely publication for the 500-year Commemoration of the Reformation in 2017.

There's a newish trend in history writers. They're taking a person's life and instead of writing a long biography, they take a shorter period and look in depth. British author Andrew Pettegree has done just this with his book about Martin Luther, "Brand Luther", where he examines Luther's influence on both religion and in the book publishing business. Not the most common combination but one splendidly presented in Pettegree's book.Martin Luther was a monk-on-the-rise at the eastern Germany city of Wittenberg. Becoming well-known for pushing against the Catholic Church's selling of clerical indulgences to lessen one's time in purgatory, Luther was also a prolific writer. He wrote about religious matters in both Latin and the vernacular, German. In 1517 he posted his 95 Thesis on the door of the main church in Wittenberg and from there, questions began to be asked. Pettegree examines Luther's gathering influence on the Church and politics. He shows Luther's good points and his bad one's, too. Pettegree doesn't try to whitewash Luther's anti-Semitism.Pettegree brings the religion and the business and the political together in his book. He's a very good writer and the book is very good for those readers interested in the Reformation.

Interesting twist on Luther and Reformation history. This book really focuses on the relationship between Luther, the printers in Germany, and the Reformation. How without the presses Luther wouldn't have gotten famous and the Reformation would have just been some blip on the radar not a movement. But without Luther the presses wouldn't have had much to do. Really interesting exploration of the confluence of events that changed the world forever.

Third read going on. Well done and easy for non-academics to understand. A lot of historical points that have been missed by other studies of this man and his impact on history. It is serving as a study for a group of men from various religious backgrounds and has stimulated a lot of discussion, much of it relative to things happening today.

This creative contribution to Reformation studies offers a unique insight into the effect of Martin Luther's work on the fledgling printing and publishing industry in Germany, something that eventually made Wittenberg the actual center of the Reformation. Other figures that featured prominently in the proliferation of print and its consequences, in addition to Luther's influence, are the artist Lucas Cranach, the humanist Erasmus, the theologian Melanchthon, the publisher Lotter, and several others who surrounded Luther both in support and in opposition. Pettegree has given us a well-written, well-researched addition to the voluminous material now appearing for the 500th anniversary of the Protestant Reformation.

This book offers a look into an aspect of the Reformation that is not very well known: the impact Luther had on the printing and book publishing business. While there are occasional errors in historical details, the book is well written, lively, fascinating and well worth the time to learn more about Luther, not only a Reformer of the Church, but a revolutionary in the realm of publishing. Highly recommended.

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Brand Luther: How an Unheralded Monk Turned His Small Town into a Center of Publishing, Made Himself the Most Famous Man in Europe--and Started the Protestant Reformation PDF

Brand Luther: How an Unheralded Monk Turned His Small Town into a Center of Publishing, Made Himself the Most Famous Man in Europe--and Started the Protestant Reformation PDF

Brand Luther: How an Unheralded Monk Turned His Small Town into a Center of Publishing, Made Himself the Most Famous Man in Europe--and Started the Protestant Reformation PDF

Free Download Baptist Hymnal

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Baptist Hymnal, 1956, edited by Walter Sims. Hardcover with 566 pages, published by Convention Press.

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Product details

Hardcover: 566 pages

Publisher: Convention Press; 19th print edition (1956)

Language: English

ASIN: B000V1D212

Package Dimensions:

8.3 x 6.2 x 1.4 inches

Shipping Weight: 1.6 pounds

Average Customer Review:

4.5 out of 5 stars

67 customer reviews

Amazon Best Sellers Rank:

#159,705 in Books (See Top 100 in Books)

Every home needs a good Baptist (or other denominational) hymnal. All the hymns we learned growing up are there. Sometimes I open mine randomly and just start to play on our piano whatever hymn comes up. Then I do it again. And again...

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While it showed fast via UPS, this used hymnal is missing the first 17 songs.Completely ripped out!!! Very disappointed!

The Baptist Hymnal is an impressive collection of top-tier hymns. Comparing the Baptist Hymnal to a 1969 hymnal: Hymns of Glorious Praise, reveals that the Baptist Hymnal doesn't cover many of the Hymns popular in the south as Hymns of Glorious Praise does (I know that because checking many of the hymns included in Hymns of Glorious Praise on the Mp3 soundclips on Amazon.com shows that many southern artist/choirs have recorded a significant proportion of the hymns in that hymnal). The Baptist Hymnal still is very impressive, nonetheless.

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exactly what I thought it would be

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Download PDF Presence and Presentation: Women in the Chinese Literati Tradition (New Middle Ages)

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About the Author

Sherry J. Mou, a native of Taiwan, is Assistant Professor of Chinese at Wellesley College.

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Product details

Series: New Middle Ages (Book 4)

Hardcover: 307 pages

Publisher: Palgrave Macmillan (October 1, 1999)

Language: English

ISBN-10: 031221054X

ISBN-13: 978-0312210540

Product Dimensions:

6 x 1 x 8.8 inches

Shipping Weight: 1.2 pounds

Average Customer Review:

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Amazon Best Sellers Rank:

#1,198,745 in Books (See Top 100 in Books)

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Download Ebook Garfield Complete Works: Volume 1: 1978 & 1979, by Jim Davis

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Jim Davis was born on July 28, 1945, in Marion, Indiana. He later attended Ball State University in Muncie, Indiana, where he distinguished himself by earning one of the lowest cumulative grade point averages in the history of the university. The Garfield strip was born on June 19, 1978, syndicated in forty-one U.S. newspapers. Today it’s syndicated in more than 2,100 newspapers worldwide with more than 200 million readers, leading Guinness World Records to name Garfield The Most Widely Syndicated Comic Strip in the World. Davis has had many successes with Garfield, including four Emmy Awards for Outstanding Animated Program and induction into the Licensing Hall of Fame (1998), but his most prized awards are from his peers in the National Cartoonist Society: Best Humor Strip (1981 and 1985), the Elzie Segar Award (1990), and the coveted Reuben Award (1990) for overall excellence in cartooning.

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Product details

Series: Garfield

Hardcover: 256 pages

Publisher: Ballantine Books (September 18, 2018)

Language: English

ISBN-10: 0425287122

ISBN-13: 978-0425287125

Product Dimensions:

6.7 x 1 x 8.5 inches

Shipping Weight: 1.3 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#393,664 in Books (See Top 100 in Books)

I used to read Garfield religiously as a kid, and largely (pun intended) owe my sense of humor to this strip. While it will never, and SHOULD never be mentioned in the same breath as Calvin and Hobbes, Peanuts, or Far Side, it is nonetheless one of the great American cartoon strips... in it's early years.While Garfield hasn't hit it's stride in this volume, you can see that it was populated by characters that are very different from it's later insipid and shallow versions of the characters. Here you'll see the John with an acerbic wit that will turn sharper in later years. Odie is introduced as an empty headed but occasionally devious rival for John's affection. Liz shooting down John with caustic burns. Linus as a dim-witted but affable friend. John's crazy family.... all genuinely funny stuff. You also see Jim Davis slowly morphing into a truly talented artist.Pick this up to find out how Garfield ever became famous in the first place. The first ten or so of these volumes will also be worth reading. Just be ready to jump ship while the strip is still good. And for Gods sake don't bother with anything that's been printed the last 20 years or so...

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This book is wonderful. I’ve been waiting literally decades for a dedicated hardcover collection of complete Garfield strips, and this delivers. The additional details by Jim Davis are a lovely insight into the world of Garfield and his creation.It’s a little bit of a shame that not every strip is presented in color, but the overall presentation more than makes up for it. I’ll be collecting every one of these volumes if only to have a complete reference library of comics that helped shape my childhood and make me the person I am today.

Love Garfield so this was an awesome way to know what I was getting ( in a very timely fashion) and no hassle of having to go from book store to book store or waiting forever at the local comic shop and it possibly not showing. Highly enjoyable experience all the way around.

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