Free PDF , by Don G. Smith

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, by Don G. Smith

Free PDF , by Don G. Smith

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Product details

File Size: 1541 KB

Print Length: 184 pages

Publisher: McFarland (January 24, 2015)

Publication Date: January 24, 2015

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00O3HKHB8

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Amazon Best Sellers Rank:

#1,217,239 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Don't pay a lot of attention to the five star reviews of this book. All seven of them are duplicates. I wonder why Amazon hasn't cleaned up this little problem.

This volume by an associate professor of history and philosophy of education is, one can only say it, woefully inadequate as a survey of H. P. Lovecraft in popular culture. If it were priced around the $10-$12 mark, then it might make a good introduction for the novice, but at its price, it is unnecessary for all but the most hardcore completist of Lovecraft studies.Divided into 9 chapters, the first two of which are devoted to short summaries of Lovecraft's main (but not all) stories, and a summary of stories by Lovecraft's imitators which goes no further than the mid-1970s anthology TALES OF THE CHULHU MYTHOS, and whose Ch 9 briefly comments on some other writers where Lovecraft's legacy derives or is felt, such as Dunsany, Le Fanu, Bierce, Shirley Jackson and Stephen King, this leaves all of 6 chapters - about 120 pp - devoted to Lovecraft in popular culture. There is one chapter on Lovecraft in roleplaying, one about Lovecraft-influenced comics, and one on Lovecraft in music. Three chapters cover Lovecraft in Movies and Television.The music chapter concentrates largely on one band - the 1960s group H.P. Lovecraft. There is way more to Lovecraft in music, as a perusal of Gary Hill's admirable THE STRANGE SOUND OF CTHULHU: MUSIC INSPIRED BY THE WRITINGS OF H.P. LOVECRAFT(Tenth Anniverary Edition, 2016) reveals. Hill's book alone makes Smith's book replaceable.But wait - there's more. For Lovecraft in film and TV, the two indispensable texts are Andrew Migliore's THE LURKER IN THE LOBBY, which can be had in paperback for as little as $12, and Charles P. Mitchell's THE COMPLETE H.P. LOVECRAFT FILMOGRAPHY, which is indeed pretty much complete to its date of publication (2001),. The latter volume will cost $65-plus US, but is an EXTREMELY detailed look at Lovecraft in film and well worth acquiring.Give the Douglas Hill volume a BIG miss. It's overprice for its minimal content.

The real glory of this book is the introduction of movies and authors that are Lovecraftian in nature that one may not have been familiar with. In the case of movies, these are adaptations from Lovecraft stories, such as Re-Animator. But the author, Don G. Smith, also allows us the other side of the coin and gives us a glimpse of authors that influenced Lovecraft himself. All-in-all this was a very good book, a quick read of 180 pages, and quite scholarly, though I do believe the author could have delved deeper in many of the chapters.The book is divided up into Nine chapters: One: is a quick synopsis of Lovecraft's stories. Two: Focuses on the Cthulhu Mythos. Three: Films based on Lovecraft's work with much focus given to the Poe/Corman-esque films. Four: More films that were influenced by Lovecraft's writings. Five: Lovecraft on television, containing a few references to Night Gallery. Six: Lovecraft in comic books. The weakest of the chapters as this is more of a list. Seven: A look into the music group H.P. Lovecraft. Eight: a three-page chapter on a roleplaying game. Nine: explores authors past and present that influenced and were influenced by Lovecraft, such as Joseph Sheridan Le Fanu, Lord Dunsany, Robert Bloch, and Stephen King.

H.P. Lovecraft In Popular Culture is a survey and critique of pop culture phenomena derived from the horror stories and mythos of author H.P. Lovecraft. Lovecraft was especially well-known for creating inhuman fiends such as Great Cthullu that slept for eons and periodically awoke to torture and enslave humanity; his vision of a merciless universe and the near-omnipotent, diabolically cruel entities that ruled it has provided inspiration for role-playing games, television shows, comic books, movies, varieties of music, and more. Numerous individual pop culture works are succinctly summarized and critiqued, in this handy, easy-to-use reference for casual Lovecraft fans and serious literature students alike.

H.P. Lovecraft In Popular Culture is a survey and critique of pop culture phenomena derived from the horror stories and mythos of author H.P. Lovecraft. Lovecraft was especially well-known for creating inhuman fiends such as Great Cthullu that slept for eons and periodically awoke to torture and enslave humanity; his vision of a merciless universe and the near-omnipotent, diabolically cruel entities that ruled it has provided inspiration for role-playing games, television shows, comic books, movies, varieties of music, and more. Numerous individual pop culture works are succinctly summarized and critiqued, in this handy, easy-to-use reference for casual Lovecraft fans and serious literature students alike.

A sloppy book. Not at all scholarly, although the author is a professor - basically this book consists of lists of pop culture items (films, TV shows, comics, etc.) with some Lovecraft connection. Some of the items are reviewed, but the reviews are very uncritical. The lists are arbitrary and leave out many obvious items. For example, the section on music goes on at some length about the late 60s/early 70s group H. P. Lovecraft, but that's the whole section.The author's understanding of Lovecraft seems to derive from August Derleth - he shows no signs of being conversant with recent Lovecraft scholarship. Lovecraft enthusiasts may find some pop culture references with which they were unfamiliar, but otherwise I can think of no reason to buy this book.

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